Profiles of Hope: David Hay, A Playwright
Monday, March 23rd, 2009
For a man who has spent his entire adult life in America, between New York and Los Angeles, David Hay still sounds like an Australian. He attributes it to being tone-deaf. (I guess it’s a good thing he’s a writer and not a singer!)
Hay’s dad was an Ambassador for the UN, so he grew up traveling the world and spending a good amount of time in New York, having “all these great New York experiences”. He didn’t realize it at the time, but he was pretty much inundated in culture: “I saw all these great plays and whatever. I was taken to everything… my parents had all this access to great culture.”
With an M.F.A. from the UCLA film school, Hay now finds himself spending all of his time writing. He is a playwright, working on revising his second full-length play, “A Perfect Future” and about to begin a new one. He also writes about architecture for magazines, he mentions as a side note.
“Writing is hard. You just gotta get up and start and do the work. Obviously you think about whether something’s good enough or whether it’s developed enough, but you can’t get bogged down by that. When you’re actually doing it, you’re not worried about all those other issues, you’re just dealing with the issues at hand. It really all depends on your own ability not to get distracted. It always starts off sort of agonizingly slow. You have some ideas, and then you go through all the typical procrastination things. Sometimes, I’ll just sit and do nothing. Or, like, clean all the tiles in the kitchen. And then, suddenly, you get going and you just write and write and write. You forget about everything else: you lose track of time, you forget to eat or shower. There’s really nothing else you can do but write.”




























